“My works may be viewed as contemplative, landscape abstractions conveying mood related experiences or as a minimal representational definition of the landscape”.
“I would describe my style as abstract and representational.
The representational (or figurative) components include the landscape and its properties, the sky and the earth conveying a mood related experience, a generalisation of different types of landscapes you might encounter, often creating a minimalistic image.
The abstract components, the frames, planes and colour fields, are the structural devices used in the composition of the paintings to support and enhance the landscapes’ natural elements”.
“The additional and most active component in my works is colour.
The colour pigment, by association creates the means to recognise the natural elements perceived in the landscape”.
“I always work in a cycle, on numerous pieces of artwork at the same time.
My paintings are made up of many thin layers of paint to achieve density of pigment and intensity of colour, which can take a long time to complete.”
